Arecibo Message at 50 – could a version of Slow Scan TV recreate it?

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tl;dr: Invent something like a Slow Scan TV setting that can take an audio signal of the 1974 Arecibo Message (recreated for human audibility), parse it into 73 lines and display the resulting image. Convert this into a school project (perhaps using a Raspberry Pi, Micro:bit or Arduino?). Doesn’t have to be sonic – could also be done with a light sensor or indeed anything that can distinguise ON from OFF or 1s from 0s.

My idea (detailed below in section 3) was partly inspired by a brilliant talk my colleague Prof Paul Curzon gave at the ICT for Education seminar last Tuesday (hosted at QMUL), showing how you can take one Pixel Puzzle* (colour by numbers, each pixel in a 16 x 16 mosaic grid has a numbered colour, when coloured an overall image emerges) and use it to teach a whole lot of computer science (and art, and other subjects). He mentioned that the Romans could carry instructions for mosaics, so the info could be posted around the Roman Empire and a faithful copy reproduced.

The idea was launched by coming across an old photo from 2014 that I took at an event at the BFI when Prof Brian Cox and Dr Adam Rutherford were chatting about the Arecibo Message at 40 alongside a screening of the film Contact.

1. The Arecibo Message

In November 1974 Frank Drake and pals (including Carl Sagan) used the Arecibo antenna to ping, via radiowaves, a 1,679 bit sound message into space. The sound consisted of two notes at two different pitches: one for 1s, one for 0s. It was more PR than actually intended to be read or even understood by aliens of course. The idea was that the receiving alien would clock that 1,679 is a semi-prime and eventually work out that if you split it into 23 columns of 73 lines you’d get what is essentially a pixel puzzle.

There are several layers of decoding here – first you’d need to have to know how to receive radio transmissions, need to recognise that the transmission was intentional and not just ‘static’, recognise that there were two distinct signals, need to know how to split the stream into the right number of columns, need to convert the two sounds to a visual representation (black for 1, white for 0 for example) and then how to make sense of the final image. A bit of a tall order! I would never in a million years work this out, so if I was one of top minds on this alien planet that message would never be decoded! (See my 2009 post: What if aliens just aren’t clever enough).

The original message was transmitted at frequencies not particularly easily distinguished by humans (recreated example, embedded below)…

…but people have attempted to recreate an simpler version of the message (an example here, and embedded below).

2. Slow Scan TV (SSTV)

I discovered this a few years ago at a Dorkbot London event and it slightly blew my mind – I wrote about it here “Playing with Slow Scan TV – sound to images“.

SSTV lets you transmit images by sound of various frequencies / pitches. Each pitch corresponding to a particular colour – you can get amazing clarity. This tech was used by the Moon landing astronauts to relay television pictures back to Earth. Russian astronauts on the International Space Station periodically transmit images to Earth as the ISS passes over and ‘ham’ (amateur) radio enthusiasts (or anyone with a £30 radio that can pick up ~145.8MHz) listen in to the audio and capture the image, using a £3 phone app or free online software.

The audio (easily perceived by human ears but unlikely to be easily distinguished) sounds like modem sounds / dialup internet. Here’s one I made earlier. If you happen to have the CQ SSTV app on your phone set to Scottie 2 then play the below into your phone’s microphone and a picture will emerge in 1min 14sec.

When the ISS passes overhead nerds on the ground can pick up the transmitted signal in real time, with the (usually slightly fuzzy) image emerging line by line.


Above: it’s all hiss until ~20s then you hear the ‘incoming’ chirrup, then straight into the sonically transmitted message – alongside it the phone app converts to picture.

SSTV also emits a ‘stop, new line’ signal at the end of every line so that the decoder knows when to move the ‘cursor’ to the next line. You can hear a periodic pulse in my sound file above which is the signal to sweep to the next line. As far as I’m aware the Arecibo Message didn’t have this mechanism, relying on the assumed mathematical know-how of anyone receiving it to work out how it should be split.

3. My brilliant wheeze

I’ve no idea if this is feasible but here goes. It’s an idea for a schools project to celebrate the 50th anniversary of the Arecibo Message.

a) An audio version of the binary signal, or a simplified recording like the one above but it could be any sound file that transmits the same information.
b) A device that can pick up and record the audio signal and recognise the two distinct pitches…
c) …and can chunk it into 23 columns and – ta-da – display the resulting recreated Arecibo Message image
d) An educational pack that includes instructions on how to set this up, perhaps with brief forays into how SSTV and ham radio have been used, how and why we use radiowaves to communicate, stuff about the electromagnetic spectrum, and of course all the computer science education related to the use of pixel puzzles (see below) plus data transmission, maybe linked to alien life / intelligence and if the schoolkids are of a suitable age a screening of Contact. Ethics of contacting aliens (see Vox article in Further reading). Could even talk about Morse Code as a means of communication by a string of data. Originally it was intended to be read visually but operators realised they could decode the audio signal so transcription to paper was no longer necessary.

*4. More about Pixel Puzzles

These are colouring in puzzles aimed at primary school aged kids, some for early years, some for the older end of primary. These are a popular activity at events we run and we (where I work) have several that can be downloaded and printed at home, or done on a computer, all free.

You can treat them just as a colouring activity or you can also talk about how computers can store images as bitmaps, or as a string of numbers etc, data representation. You can also consider how best to colour them in – go through line by line and colour each different pixel as you come across it, or do a search for all “5” pixels and colour those in then move onto another number (search strategies). Also an example of decomposition (breaking something down into its component parts). A pixel puzzle is compressed data displayed as numbers (you could share it as just a string of numbers and tell the person how to map it onto a grid for example). You could link it to another subject too – e.g. we have minibeasts puzzles and a Roman mosaic one.

5. Further reading

An Arecibo Message related classroom activity, giving the kids the binary message (visually) and getting them to make sense of it: http://journeythroughtheuniverse.org/downloads/Content/Neigh_G9-12_L3.pdf

Scientists are asking kids to design our planet’s next message to aliens (2019) Vox – considers the question of whether we might put ourselves in danger if we try and communicate with aliens.

Raspberry Pi’s space-themed projects including one that lets you track where the ISS is.

School children in Kent speak to astronaut aboard International Space Station (2023) iTVx – thanks to Hilderstone Radio Society, a local amateur radio club.

How many people are in Space right now? https://www.howmanypeopleareinspacerightnow.com/ – at time of writing (Monday 29 April 2024) it’s 10!

6. Things I’ve found since publishing this post

The message of Arecibo in Scratch (2018) Istituto Nazionale Di Astrofisica – a variation of my suggestion above. Scroll to the end and click on the green flag to see the program in action.

Drake’s Cryptogram (undated) David Darling’s website – a 1961 shorter early variant of the Arecibo message sent by Frank Drake to fellow nerds after a conference to see if any of them could work it out. One did.


Here’s the Arecibo Message, in colour: https://apod.nasa.gov/apod/ap200503.html

Music, Mood, and Motion: A Survey on Emotion in Film Music (deadline 20 Feb 2024)

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Below is an email from my QMUL colleague Ruby (posted with her permission) who is doing a project looking at emotion in film music. There’s a survey with two parts – asing about how you listen to music, then getting you to do a film music listening task. The results of this form part of her PhD research.

Ruby is a student in QMUL’s ‘AIM’, the UKRI-funded Centre for Doctoral Training in Artificial Intelligence and Music.

Music, Mood, and Motion: A Survey on Emotion in Film Music.

The primary goal of this study is to gain insights into how music in films influences our emotions. By sharing your thoughts and perceptions, you will contribute valuable information that will enhance our understanding of the emotional aspects of film music.

Survey Details: This study consists of two main surveys:

  1. Questionnaire on Music Listening Habits: The first survey involves a questionnaire that aims to assess how participants listen to music.
  2. Listening Tasks and Annotation of Film Soundtrack Excerpts: The second survey includes 10 listening tasks. Participants will be asked to label excerpts from various film soundtracks. Interactive graphs and pointers will be provided to facilitate the annotation of mood and emotion during these tasks.

The entire process should take approximately 30 minutes, depending on the level of detail you choose to provide in your annotations.

Important Instructions:

  • Device: Please complete this study on a laptop or computer, NOT on a phone.
    • Please use Google Chrome if you can.
  • Audio Quality: Use good quality headphones or speakers for an optimal experience.

Participants will receive a ‘music listening personality’ profile at the end of the study, based on your responses! It’s a light-hearted way to explore your music listening profile and unique music-listening style.

Study Deadline: The deadline for completing the study is February 20th, 2024.

How to Participate: If you are interested in contributing to this study, please click on the following link to get started.

https://rubycrocker.github.io/film-score-emotion-survey/

Feel free to share this invitation with anyone you think might be interested in participating – friends, family, and fellow music and film enthusiasts.

If you have any questions or concerns or errors or just simply want to chat about it, please don’t hesitate to message me!

Email: r.o.n.crocker@qmul.ac.uk

Thank you for considering participation, and I look forward to exploring the world of film music with your valuable input!

Best Regards,
Ruby Crocker

How to listen to E3 of “The Music of James Bond with David Arnold” before Sun 29 March on Scala Radio

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Hooray, David Arnold has a five-part radio show broadcasting on Sunday afternoons on ScalaRadio (at 1pm) and you can hear Episode 3 here – the link will stop working on Sunday 29th March. Don’t delay 🙂

It’s excellent, he’s extremely knowledgeable and enthusiastic about film scores and music (and he’s written scores for five of the James Bond films himself!) and he’s also an excellent communicator. You’ll be able to listen live to Eps 4 and 5 here on Sunday.

Here’s the link for Episode 3

planetradio.co.uk/scala-radio/player/100861134/

Episodes 1 and 2 are no longer available though quite a few people have tweeted @ScalaRadio (and @DavidGArnold) to say how much they’d like this so why not add your voice…

The above link will open a player if you access it via a laptop browser, if you’re clicking on a phone you can either listen via your browser or, if you have the ScalaRadio app, it will invite you to open the programme in the app. Up to you 🙂

If you are trying to find the programme by searching on ScalaRadio’s website or within the app there are some additional instructions below. Possibly useful for future reference in finding other programmes.

Web browser
If you are starting from the landing page https://planetradio.co.uk/scala-radio/ click More at the top, then Listen Again, then look for the date and drop-down menu just below the heading saying “Listen Again” – it’s in reverse date order so scroll down to Sunday 22nd. At the moment David’s programme is the second picture in the second row – click on that and you’ll be on the link as given above.

If your browser says “Autoplay failed” you just need to press the play button (it’s a good thing – switching off autoplay on your browser, gives you more control over what noise is emitted from your newly opened tabs).

Phone app
Lower the volume before opening the app (it’s a bit autoplay-y) or get ready to click the stop button on the bottom right, and make sure you’ve fairly recently updated (might be harder to find the show otherwise).

On the menu at the bottom click Shows, then scroll down and find “The Music of James Bond with David…’ and press play. You will be able to listen to about 20 minutes or so without logging in, so if you aren’t planning to log in, put the link above into your phone’s browser and listen via the web app.

Architecture of Radio app – sonically pleasing visualisation of communication radiowaves

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I’ve just downloaded the Architecture of Radio app (£2.99) and was instantly entranced by the lovely background whooshing sounds it makes (wearing headphones made me feel like I was on the Starship Enterprise).

It converts the data about cell towers and communication satellites that are nearby (based on your location) and shows you a mapped visualisation, along with sonic accompaniment – it’s lovely, though it looks like it’s a heavy user of battery power.

I wondered if the signal would increase when I waved it in front of my broadband router (no, though some coloured darts whooshed past regularly) but possibly it couldn’t have done taht, given that the data isn’t coming ‘live’ from what’s around me straight to my phone, but data gathered ‘live’ and reported elsewhere first and then picked up by the app and represented on my phone – it is a “theoretical simulation rather than a full measurement of the entire radio spectrum” according to the app’s creator, Richard Vijgen [Gizmodo article].

iPhone screenshot showing Architecture of Radio app in action (with location redacted)

Screenshot of Architecture of Radio app in action on an iPhone

I can’t share video yet because I don’t know how to edit it so that my location (which floats on the screen) is redacted, which is easy enough on a photograph (see above), but here are some sound recordings taken by holding my phone over the speaker on my laptop and using QuckTime Player (File > New Audio Recording)

This one (above) is quieter than the one below but still be careful with headphones.

The one is louder (upped the volume on the phone, so be careful with headphones) and you can hear clicks as well as whooshes.

The app represents the ‘infosphere’, with data relating to radio signals for communication, observation and navigation – not the entire electromagnetic spectrum.

EM_Spectrum_Properties_edit.svg

Image credit: By Inductiveload, NASA – self-made, information by NASABased off of File:EM Spectrum3-new.jpg by NASAThe butterfly icon is from the P icon set, File:P biology.svgThe humans are from the Pioneer plaque, File:Human.svg The buildings are the Petronas towers and the Empire State Buildings, both from File:Skyscrapercompare.svg, CC BY-SA 3.0, Link

We are continuously bathed in electromagnetic radiation from different sources as we move through the world. The Sun is pinging out LOTS, though it might feel a bit less like it in a cold February, sending us stuff we can sense ourselves directly (visible light, heat) as well as stuff we can’t (eg UV, though we can be aware of its effects after the fact if we get sunburned).

We also get radio waves from communications satellites in orbit, and from communications towers here on Earth, plus wifi, 3G, 4G etc. Some people are a bit fearful about this (perhaps because the word ‘radiation’ can refer to harmful ionising radiation such as used in X-rays as well as non-ionising radiation which isn’t harmful) and there are plenty of dodgy companies waiting to sell you something which they claim will ‘shield’ you from this radiation. Don’t waste your money.

Playing with Slow Scan TV – sound to image #sstv

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On Thursday I met LHTrevail, one of the speakers at Dorkbot, who had a box that turned images into sounds. It turned out to be an SSTV (slow scan TV) scanning device (they used the same technique to transmit some of the Moon landing images so I’d heard of it but that was the extent of my knowledge). You can transmit and receive images via sound directly from a speaker or carried over a radio signal.

Sonically it’s like a much prettier version of the chirps from Ye Olde Modems, you can hear some examples of what files sound like from the mp3s here: Essex Ham: SSTV The Basics Explained.

One nice thing that you can do, if you have a ham radio set up (I don’t, and this seems like a personal failing haha), is to capture via radio a sound file emitted from the International Space Station as it whizzes over – how cool is that!

I’ve now spent far too long on YouTube etc catching up with older methods of television-ing including the Nipkow 32 line spinning disc jobs (plenty of working examples and modern re-creations) and the whole John Logie Baird early TV work. The vids I’ve watched are below.

Possibly I should mention at this point that the television I watch in my flat is an old CRT (Cathode Ray Television). This isn’t because I’m keeping the old ways alive or am unusually nerdy (accidentally true on both counts) but it’s simply that it was there when I moved in, in 2005, and it works fine. It would be quite the palaver to replace it (I rent) and I’ve no real inclination to do so – the picture is good (also old TV programmes fit on it perfectly). Works fine with Freeview via a SCART lead. Anyway…

I spotted that there’s a smartphone app (search for SSTV and it’ll come up) which converts audio into picture so £2.99 later I now have it on my phone. Playing the files through my laptop speaker into my phone brought up some delightfully fuzzy images and fiddling with the Phase and Skew got the best picture available. It felt a bit like that moment in the film Contact when the team listening to a signal realise something else is being broadcast and it turns out to be a TV picture+sound. Oooooh!

(Content warning: this clip features a broadcast of the opening of the 1936 Berlin games with Hitler speaking, a flag with a swastika on it and Nazi saluting)

 

While playing around on the app I spotted a button that lets you transmit an image from your camera roll as sound! Very on board with that, so after a bit of testing (trying to work out where the mic is on my laptop for best recording) I am ready to share this image from a holiday I went on in 2015. It was broadcast as a “Scottie S2” format – literally no idea what that means but that’ll be something fun to find out later.

If you have an SSTV scanning device on your phone or anywhere else you might be able to pick up the image I’ve shared if you set your scanner to Scottie S2, a copy of what I transmitted is here.

– by the way to get the m4a file from Voice Memos on Mac so that I could upload it here I first had to drag the file onto my desktop and then drag it into the editing window of this blog post (or could have put it into a File Manager / Finder file hierarchy). I tried using the native upload function on Voice Memos but couldn’t work out what to do next so I’m glad the plan B worked. Not sure if I could airdrop it to myself on the same computer 😉

Right, I’m off to see a film with lots of sound design in it…

Mechanical image acquisition with a Nipkow Disck – Hackaday

 

The Sound of Sound: Jo’s podcast playlist

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Updated February 2023

This post is mostly for me. I enjoy a podcast or other audio when I have certain house admin (tidying, dish washing) tasks to do and so to save me searching for where I’ve bookmarked them I thought I’d put them all here and add to them. Most of these are sonically interesting, as well as having interesting content.

Audio about Audio

Tracking the Lincolnshire Poacher (Nov 2006) – Simon Fanshawe
http://www.bbc.co.uk/radio4/factual/pip/j2rhi/ (programme website)
– baffling radio broadcasts known as number stations, and what they might be

Knock Knock: 200 Years of Sound Effects (2023) – Resonance FM, presented by Sarah Angliss
https://www.bbc.co.uk/sounds/play/m001hxs4 (BBC Sounds – audio)
https://www.bbc.co.uk/programmes/m001hxs4 (programme website)
– “From noises off to the sounds of tomorrow, composer Sarah Angliss and some of the world’s greatest effects artists celebrate 200 years of the awesome power of sound effects.”

The Foghorn: A Celebration (Feb 2011) – Peter Curran
https://www.bbc.co.uk/sounds/play/b00yqp5z (BBC Sounds – audio)
https://www.bbc.co.uk/programmes/b00yqp5z (programme website)
– foghorns as warnings, and as musical instruments

Free Thinking, The Radiophonic Workshop (2014) – Matthew Sweet
https://www.bbc.co.uk/sounds/play/b041y0tl (BBC Sounds – audio)
https://www.bbc.co.uk/programmes/b041y0tl (programme website)

Into the Music Library (April 2011) – Jonny Trunk
https://www.bbc.co.uk/sounds/play/b01061hr (BBC Sounds – audio)
https://www.bbc.co.uk/programmes/b01061hr (programme website)
– incidental music, some of which has become very well known

The Bird Fancyer’s Delight (July 2011) – Sarah Angliss
https://www.bbc.co.uk/sounds/play/b0128pyp (BBC Sounds – audio)
https://www.bbc.co.uk/programmes/b0128pyp (programme website)
– teaching songs for birds to whistle, the original ‘recorders’

Musical Map of Sheffield (Nov 2011) Jarvis Cocker
https://www.bbc.co.uk/programmes/b016k5t5/episodes/guide (programme website)
– a musical journey through growing up in Sheffield


Frontiers: Forensic Phonetics
(12 December 2012) – Rebecca Morelle
https://www.bbc.co.uk/sounds/play/b01p7bxw (BBC Sounds – audio)
https://www.bbc.co.uk/programmes/b01p7bxw (programme website)
– all sound recordings made near anything plugged in pick up the inaudible variable ‘hum’ of the grid’s power supply, can be used as a forensic timestamp

A call from Joybubbles (13 March 2017) – on phone phreaking and community, republished under “The Well of Random” podcast which is full of intriguing audio.
https://www.bbc.co.uk/programmes/b08hlnjq – episode page
https://www.bbc.co.uk/sounds/play/p074jpx6 – BBC Sounds page
https://www.bbc.co.uk/sounds/brand/p0742c9q – The Well of Random landing page

The Doppler Effect with Charles Hazlewood (19 August 2017)
https://www.bbc.co.uk/sounds/play/b090xv6w (BBC Sounds – audio)
https://www.bbc.co.uk/programmes/b090xv6w (programme website)
– get a brass band on a train car playing a single note and see if it drops a semitone as they whiz past you on the station

This programme mentions the Leslie speaker – thankfully there are LOADS of YouTube videos about this, you can see one in action here.

Curio: Quindar tones and talking in space (September 2017) – Brains On podcast
https://podcasts.apple.com/gb/podcast/curio-quindar-tones-and-talking-in-space/id703720228?i=1000409849325 (Apple Podcasts)
– about the NASA beeps.

Echo in a Bottle (June 2018) – Sarah Angliss
https://www.bbc.co.uk/sounds/play/b0b5s5tb (BBC Sounds audio)
https://www.bbc.co.uk/programmes/b0b5s5tb (programme website)
– ways of capturing echoes and their eerie effects

Radiolab – Jad Abumrad and Robert Krulwich
https://www.wnycstudios.org/podcasts/radiolab

Making Radiolab (2006)
https://radiolab.org/episodes/91746-making-radio-lab – about how they use sound: “In spring of 2006, Jad and Robert took the stage at the SoHo Apple Store to talk about the making of Radiolab. Jad geeks out on the nitty-gritty of digital sound editing, and Robert discusses the editorial questions raised in creating imaginative soundscapes. And film editor Walter Murch weighs in on the components of storytelling.”

Fifteen inches per second (2004)
Not available. Radio programme about 1/4″ tape (BBC Genome listing). Features also in a 2022 radio programme about sound with Chris Watson, which is also not available but this is its progamme page: https://www.bbc.co.uk/programmes/m000gcm3

A special mention to the Quindar tones connoisseurs (5 February 2019) Here’s The Tower podcast
https://podcasts.apple.com/gb/podcast/a-special-message-to-quindar-tone-connoisseurs/id1386677566?i=1000429279924
– a one minute explanation of what Quindar tones / NASA beeps are

The Boring Talks: #37 – Watergate Tape ‘Silence’ (11 February 2019) – Sophie Scott
https://www.bbc.co.uk/sounds/play/p070g3mp (BBC Sounds – audio)
https://www.bbc.co.uk/programmes/p070g3mp (programme website)
– when a blank tape is informative
The Boring Talks landing page

New Weird Britain – Radical Rural (June 2019) – John Doran
https://www.bbc.co.uk/sounds/play/m0006132 (BBC Sounds – audio)
https://www.bbc.co.uk/programmes/m0006132 (programme website)
– music made ‘in the margins of Britain’ by people priced out of cities

 

Audio about Other Things

Nancy grows up – Tony Schwartz recorded his niece Nancy from babyhood to teenage and condensed it into this lovely recording of her growing up. The full piece is on YouTube.
https://folkways.si.edu/tony-schwartz/nancy-grows-up/childrens-documentary/track/smithsonian – library record and 30s clip.

Waveguide (from September 1988 to 2001) – BBC
https://www.bbc.co.uk/sounds/brand/p0338l70 (website for 64 episodes)
– “latest developments in radio broadcasting”. There’s an episode on the Radiophonic Workshop, Morse Code and a series on the effects of sunspots and other solar phenomena on radio transmissions and the ionosphere. Each episode ~9 minutes long.

How to write an instruction manual (August 2009) – Mark Miodownik
https://archive.org/details/HowToWriteAnInstructionManual (audio)
https://www.bbc.co.uk/programmes/b00m4470 (programme website)

Word of Mouth: Stenography (2013) – Michael Rosen
https://www.bbc.co.uk/programmes/b01phgjq (programme website)
https://www.bbc.co.uk/sounds/play/b01phgjq (BBC Sounds audio)
Word of Mouth landing page

Bunk Bed – six series stretching over several years with Peter Curran and Patrick Marber (and occasionally guests)
https://www.bbc.co.uk/programmes/p0735nh6/episodes/downloads (programme website)

Telling Tales (August 2019) – Peter Curran interviewed about his radio programmes & interviews, 1hr clips programme, fab
https://www.bbc.co.uk/sounds/play/m0007rbh (BBC Sounds – audio)
https://www.bbc.co.uk/programmes/m0007rbh (programme website)

Other sonic resources
Speechification Vol.002
02 Feb 18 – dig your fins
https://digyourfins.wordpress.com/2018/02/02/speechification-vol-002/

Other audio
Restart Project / Restart Radio (Resonance FM) podcast – fix more, buy less
https://therestartproject.org/podcast/

#BunkBed: all episodes online on BBC Sounds, S6 on Radio 4 on Weds

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tl;dr – Get your Bunk Bed episodes here.

“The acclaimed Bunk Bed with funny, intimate in-the-dark conversation and the voices of the famous dead. Peter Curran and Patrick Marber let those crazy disconnected thoughts before sleep float into the air.”

https://twitter.com/BigKiln/status/1109134257082060800

The sixth series of Bunk Bed is currently being broadcast on Radio 4 on Wednesday evenings at 11pm. It’s a rather lovely thing that’s a little difficult to describe. Or rather it’s a very easy thing to describe (it’s two men lying in bunk beds having random chats, with occasional guests) but it’s possibly not very obvious – unless you’ve heard it – why someone might go looking for that. But I recommend that you do 🙂

You won’t have to look very far because the lovely BBC have added all the previous episodes from Series 1 to 5 to their BBC Sounds platform, and they’re adding Series 6 episodes after they go out. I love the gentle (sometimes sharp), funny ruminations and observations accompanied by the occasional rustling sound of a duvet.

You can subscribe to the whole thing (new episodes will wing their way to you) or you can listen on the web or via the app, and even download the episodes.

On a browser go here https://www.bbc.co.uk/programmes/p0735nh6/episodes/downloads to access all the episodes, or download the BBC Sounds app on a phone.

Screenshot 2019-03-23 22.13.04

Here’s what it looks like on an iPhone on the BBC Sounds app

img_9607  img_9612

Search for the show …                     … visit its page and Subscribe

img_9608    img_9614

Once subscribed click on My Sounds, then ‘Subscribed’ to listen to the episodes.

Further reading

Queen Mary 2 ship’s whistle test cc @sarah_angliss @curranradio

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A recording made of the Queen Mary 2 ship’s whistles (they call them whistles but they sound like horns to me) at 11:59AM (ship’s time) on Friday 15 June 2018, from the observation point on deck 11.

The first four sounds are individual blasts from whistles located at various points around the ship, the final is all whistles at once. It was quite loud.

Recorded using the iPhone 5S voice memo, dead space at start and end trimmed off.

I was quite lucky to catch this, and from such a good audio vantage point, as I just happened to be up there when an announcement was made that the whistles were to be tested. I’d popped into both of the scenic elevators to leave a note (postcard) for other passengers using those lifts, to tell them that they could take these lifts to the 11th deck after dark and – if cloudless – could see lots of stars there at night as it’s the darkest point on the ship. It’s not the highest point on the ship (that’s deck 13) but that area is well-lit so too much light pollution. You need to wait a few minutes for your eyes to become dark-adapted in order to see much though.

Anyway, it’s a gorgeous ship and I’m having a lovely crossing. I’m yet to hear back from anyone on-board (I’ve put in a question) about whether or not it’s even possible to see the Milky Way from the North Atlantic (the QM2 and other Cunard ships do a variety of other cruises and it’s definitely possible to see it in Dubai).

Hopefully this post works – I’m using satellite internet and this post is being sent up to satellites 44,000 miles away so it might get stuck up there.

[Free @QMEECS talk] Do you hear what I hear? The science of everyday sounds.

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Josh Reiss is giving his inaugural (on becoming a Professor of Audio Engineering) lecture at 6.30pm on Tuesday 17th April 2018 in Arts Two at Queen Mary University of London, on Mile End Road.

It’s free. Tickets: https://www.eventbrite.co.uk/e/do-you-hear-what-i-hear-the-science-of-everyday-sounds-tickets-43749224107

“The sounds around us shape our perception of the world. In films, games, music and virtual reality, we recreate those sounds or create unreal sounds to evoke emotions and capture the imagination. But there is a world of fascinating phenomena related to sound and perception that is not yet understood. If we can gain a deep understanding of how we perceive and respond to complex audio, we could not only interpret the produced content, but we could create new content of unprecedented quality and range.

This talk considers the possibilities opened up by such research. What are the limits of human hearing? Can we create a realistic virtual world without relying on recorded samples? If every sound in a major film or game soundtrack were computer-generated, could we reach a level of realism comparable to modern computer graphics? Could a robot replace the sound engineer? Investigating such questions leads to a deeper understanding of auditory perception, and has the potential to revolutionise sound design and music production. Research breakthroughs concerning such questions will be discussed, and cutting-edge technologies will be demonstrated.”

Mycenae House gardens – birdsong

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Mycenae House gardens

The birds in the gardens of Mycenae House (the café and community centre in Blackheath [map], nearest station: Westcombe Park, nearest bus: 386) are undertaking some fairly determined chirping in the clip below, possibly they spotted me with my recording device.

In the early part of the clip you can hear someone playing piano for a class and some other background noises, but it’s mostly birdsong.

Mycenae House gardens